A View To A Kill (1985)

Grace Jones as Mayday in A View to a Kill (1985)

Mayday’s Sunglasses: O_o

Grace Jones as Mayday in A View to a Kill (1985)

Grace Jones as Mayday in A View to a Kill (1985)

Quite the unique fashion statement from a unique James Bond henchman/girl!

Max Zorin (Christopher Walken) and Mayday (Grace Jones) have a laugh (and a slap) in A View to a Kill (1985)

Stop hitting yourself, stop hitting yourself

Max Zorin (Christopher Walken) and Mayday (Grace Jones) have a laugh (and a slap) in A View to a Kill (1985)

Max Zorin (Christopher Walken) and Mayday (Grace Jones) have a laugh (and a slap) in A View to a Kill (1985)

What have you been up to?

James Bond (Roger Moore) shows a wide-eyed sarcastic face in A View to a Kill (1985)

007 wasn’t shy with Moneypenny about his activities in Siberia aboard the glacier sub…

James Bond (Roger Moore) in a San Francisco fire truck in A View To A Kill (1985)

Raise the bridge?

Although the fire engine chase in A View To A Kill (1985) is over-the-top and a bit eye-roll inducing, I did enjoy when the sleepy bridge operator attempts to stop James Bond (Roger Moore) and Stacy Sutton (Tanya Roberts) in their tracks.

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Disclaimer before A View to a Kill (1985)

A View to a Kill Disclaimer

Disclaimer before A View to a Kill (1985)

Disclaimer before A View to a Kill (1985)

The above disclaimer appears just before the start of A View to a Kill (1985).

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"Hell, I don't even ride 'em." - Manning Redwood as Bob Conley in A View to a Kill (1985)

Horses?

"Hell, I don't even ride 'em." - Manning Redwood as Zorin henchman and oil tycoon Bob Conley in A View to a Kill (1985)

“Hell, I don’t even ride ’em.”
– Manning Redwood as Zorin henchman and oil tycoon Bob Conley in A View to a Kill (1985)

I’d buy a used car from Bob Conley.

Roger Moore as James Bond in A View to a Kill (1985)

Extreme 007

Roger Moore as James Bond in A View to a Kill (1985)

James Bond (played by Roger Moore, or at least in this scene his stunt double) looks to be approaching the angle of repose during A View to a Kill‘s opening ski chase sequence.