Quantum Of Solace (2008) boasts one of the most brutal deaths at the hand of James Bond (Daniel Craig).
After tracking would-be assassin Edmund Slate (Neil Jackson) to Haiti, Bond visits Slate’s hotel room only to instantly jump into a fight to the death. Slate meets his end when Bond mercilessly stabs him in the neck (likely in the jugular vein) and his leg (likely in the femoral artery) only to let him bleed out on the floor.
Read More»Agent Strawberry Fields (Gemma Arterton) from Quantum Of Solace (2008) is underrated. Not only is she sexy, I was initially sold on her insistence that she wasn’t going to fall into James Bond’s (Daniel Craig) clutches. But alas, as we see in this scene, she even surprised herself in her collapse at the hands of Bond’s charm. There was definitely something about her short, red hair, fair skin and overcoat that was seriously attractive.
Read More»The six actors that have portrayed 007 in the official movies have changed since their first and last on-screen appearances. Below, you can see each actor’s first and last appearances as James Bond.
Read More»Craig’s 007 is down on his luck after the kind of weird chase scene from No Time To Die (2021). He’s picked up by…007…(Nomi) in yet another car that should be getting more screen time in the movie, similar to Paloma. Wow, great revving of that ridiculous Aston Martin engine on the tarmac, I guess. Couldn’t have had a chase where Bond is the passenger and another 00 agent flexes their skill? Missed opportunity…and I distinctly remember these words enter my head about certain characters and parts of NTTD where screen times or parts of the movie were too short or not emphasized enough. I’d definitely say it’s one of my biggest gripes about the movie aside from (of course) the atrocious ending.
Anyways, back in this scene, Nomi does her best Mayday (O_o) impression ([]-[]) with some weird-ass (probably expensive) uncomfortable-looking sunglasses. Their conversation is interesting though: aside from his stern yet poignant “Where have you been?,” it was a little odd to hear Bond mention Swann’s (and his!) daughter and not speak up that she’s actually his child. Is he not proud of Mathilde? Is he embarrassed? Or does he just want to focus on the mission? Same goes for in the plane. M doesn’t mention that “Dr. Swann and her daughter” is actually Bond’s daughter as well, aside from telling Bond he “hopes they’re there.” If he doesn’t know, why wouldn’t Bond mention it? And if Bond has told no one, how would MI6 know to “give” the Aston Martin DB5 (which is a whole other ball of blah) at the end of the movie? It’s another scene in NTTD where a mention of Mathilde throws off the movie and detracts from its overall plot and flow. Stupid kid.
Luckily in this scene, however, Bond mentions the elephant in the room that exists whenever these two are together – namely, who is actually 007 now that Bond is back?
At the end of the car dialogue, Bond seems okay with passing the torch (“Thank you, 007.”), but getting in the plane, I think Q is about to welcome Nomi on as 007 but hesitates as Bond has passes by. Maybe Nomi can sense Bond wants 007 back or just feels it’s the right thing to do? During the movie, I enjoyed the back-and-forth and debate between them and M, but overall at the end, this small plot point wasn’t really as appealing or worthwhile. Instead, I’d have preferred Bond’s code name put on-hold (or retired?) and awarded to him on his return. Nomi would have been a better 002 or 0010 (yes, why not double-oh ten? The numbers have to go past 9, right? Could’ve put that question to bed…)
I mean…I don’t want to hype up the end of Spectre (2015) too much, but is there *really* a better end to a James Bond movie?
I just love everything about it – starting with a quiet, unassuming, empty downtown London – the shot of the flying, steadfast Union Jack after the madness of the toppling of Blofeld. Bond can take a deep breath.
What will he do next? Where will he go?
Read More»The evening train sequence from Spectre (2015) is arguably one of the best sequences of any James Bond movie. It’s often compared to the train sequence in From Russia With Love (1963), but I’d argue this one has it beat.
The look and feel of the start of the evening dinner with Bond (Daniel Craig) and Swann (Lea Seydoux) is visually stunning. Cinematographically, the dim and understated lighting on the dining car gives the scene an authentic, vintage look that would transport any Bond fan to their favorite 1960’s Bond movie.
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