The Q Branch scene from GoldenEye (1995) is one of my favorites of the series. It has it all: physical humor, great chemistry between Bond (Pierce Brosnan) and Q (Desmond Llewelyn), funny one-liners and quips and…the only time another movie’s theme is mentioned in a previous movie? Although it’s great, it does have its flaws.
Read More»When I think of James Bond at his happiest, I think of this (very brief) scene from GoldenEye (1995) where Bond (Pierce Brosnan) and Natalya Simonova (Izabella Scorupco) are in Cuba after escaping the cold Russian weather and treacherous train.
Seemingly without a care in the world, the couple travel in a BMW Z3 convertible in the beautiful Caribbean climate. The combination of the sweeping, delightful soundtrack, Natalya’s barely-there dress and blissful gaze to Bond as they drive through a luscious jungle-like setting would make anyone jealous. Bond conveys a similar joyous feeling to Natalya with a beaming smile. Heaven!
The feeling is short-lived, however, as the tricked-out Q Branch car picks up an airplane on radar that spoils the party – prompting Natalya to gripe about Bond’s track record while on the go.
Oh, well. It was good while it lasted!
Brosnan Bond’s first interaction with Moneypenny in GoldenEye (1995) was…interesting. Aside from Craig’s Bond’s tryst with Moneypenny, Brosnan’s Bond always had the most sexual tension and blatant innuendos with Moneypenny during his tenure. This of course after the long portrayal of the character by Lois Maxwell from the series start until the late 1980’s – in which the Bond/Moneypenny relationship was a lot more playful and tame. It continued with a naive and relatively forgettable Moneypenny (Caroline Bliss) that served with Timothy Dalton’s Bond but then took the hard turn to Brosnan’s Moneypenny we see here.
But I digress – it’s true that GoldenEye‘s Moneypenny could hold her own in spite of Brosnan’s advances and we see it in this scene, but some of his remarks elicit eye rolls at best and at worst add fuel to the misogynist 007 stereotype. I’d say that this scene wouldn’t be written in today’s post-“#metoo” era. Regardless, it was neat to see M and others scramble from their personal lives (with Moneypenny in a highly formal dress from a date) to the office to assess the issues at Severnaya.