This is one of those frustrating James Bond movie chases where there are a hundred different scenarios where it could have been stopped or made less dangerous by some better decision making. For starters, why did the baddies here decide to use their mode of transportation as part of their strategy to kill Bond? Surely they knew, and would of course eventually find out, they had a death wish if anything disturbs the helicopter rotors.
And why doesn’t Bond and Wai Lin just stop? Get off the bike, disappear in the crowd?
Skyfall (2012) is easily the most beautiful James Bond movie. Of course, we have cinematographer Roger Deakins to thank for that. He was nominated for an Oscar for Best Cinematography after all, and as most of us know, Oscar talk for James Bond movies is rare. There are several scenes in the movie that are some of the most visually appealing in all of the James Bond movies ever, but the Shangai scene takes the cake.
At over 9 minutes long with barely any dialogue, the focus is truly on the visuals for the entire sequence. From the blue-hued rooftop Bond swimming session to the seemingly “dance” of a fight set against a fluid neon advertisement in the skyscraper, it’s so easy to just sit back and enjoy this part of what many consider Daniel Craig’s best James Bond movie.
A visually stunning fight sequence from Skyfall (2012)
In Dr. No (1962), James Bond (Sean Connery) and Honey Ryder’s (Ursula Andress) first interaction on the beach is classic. Aside from Bond’s less-than-stellar octave attempting a verse of “Underneath the mango tree,” the scene is near Bond movie perfection.
It’s often referenced by the quote of this post’s title, but I prefer the exchange just after: “I promise I won’t steal your shells.” “I promise you, you won’t either.” It shows Ryder’s strength at the outset, but we later see a soft side as well, like when she winces regret when Bond strangles a henchmen in the river and expresses horror at Quarrel’s death. The series couldn’t have started off with a better first James Bond girl!
Like all James Bond movies I see in the theater (save No Time To Die, of course), I walked out of my first viewing of Die Another Day amped up and declared it the best James Bond movie of all time. I was excited to see it again! And although DAD’s luster surely faded with subsequent viewings and definitely over the years compared to the other movies, as always, there are some bright spots in the movie. Gustav Graves’ introduction is one of them.
As Bond jets to the UK and is served a first-class vodka martini (by Roger Moore’s real-life daughter, FYI) and the Clash’s “London Calling” blares, we are thrust into the ostentatiousness that is the villain, Gustav Graves. Although the movie decays with subsequent revelations of his DNA-altered identity as Colonel Moon, poor acting by Halle Berry and many eyeroll moments, Graves’ intro scene feels like its from a different caliber Bond movie. His entrance (the Union Jack parachute an obvious nod to The Spy Who Loved Me (1977)) and cocky demeanor are spot on for a megalomaniacal Bond villain, and comes off as suave and in control, but definitely annoying and not self-aware. These days, I can’t help but see a bit of Elon Musk in Gustav Graves, unfortunately.
