James Bond (played by Roger Moore, or at least in this scene his stunt double) looks to be approaching the angle of repose during A View to a Kill‘s opening ski chase sequence.
Brosnan Bond’s first interaction with Moneypenny in GoldenEye (1995) was…interesting. Aside from Craig’s Bond’s tryst with Moneypenny, Brosnan’s Bond always had the most sexual tension and blatant innuendos with Moneypenny during his tenure. This of course after the long portrayal of the character by Lois Maxwell from the series start until the late 1980’s – in which the Bond/Moneypenny relationship was a lot more playful and tame. It continued with a naive and relatively forgettable Moneypenny (Caroline Bliss) that served with Timothy Dalton’s Bond but then took the hard turn to Brosnan’s Moneypenny we see here.
But I digress – it’s true that GoldenEye‘s Moneypenny could hold her own in spite of Brosnan’s advances and we see it in this scene, but some of his remarks elicit eye rolls at best and at worst add fuel to the misogynist 007 stereotype. I’d say that this scene wouldn’t be written in today’s post-“#metoo” era. Regardless, it was neat to see M and others scramble from their personal lives (with Moneypenny in a highly formal dress from a date) to the office to assess the issues at Severnaya.
So where is Hugo Drax’s gargantuan mansion in Moonraker (1979) in real life?
Read More»Timothy Dalton as James Bond in The Living Daylights (1987)
My favorite James Bond
Nemesis Blofeld
From Russia With Love
I mean…I don’t want to hype up the end of Spectre (2015) too much, but is there *really* a better end to a James Bond movie?
I just love everything about it – starting with a quiet, unassuming, empty downtown London – the shot of the flying, steadfast Union Jack after the madness of the toppling of Blofeld. Bond can take a deep breath.
What will he do next? Where will he go?
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