The World Is Not Enough (1999) boasts one of the quickest gambling sequences in any of the James Bond movies. Elektra King (Sophie Marceau) playfully joins James Bond (Pierce Brosnan) at Valentin Zukovsky’s (Robbie Coltrane) casino, L’Or Noir (Black Gold). Bond fears for her safety as the casino is filled with people from rival oil companies, so he insists they leave right away.
Although she doesn’t seem like the gambling type anyway, King abides. They are taken to a private room where Zukovsky credits her with $1 million dollars from her late father’s casino account. Instead of risking it on blackjack or other casino games, however, King prefers a straight up single, high card draw. A pity – since a private blackjack sequence with Bond, King and Zukovsky would be pure entertainment.
The cards for the shortest game of war are revealed and King loses – her queen of hearts is beaten by Zukovsky’s ace of clubs. But not before she drops a significant quote: “There is no point in living if you can’t feel alive.” …the same quote used by Renard later in the movie that lets Bond know that Elektra is not who she seems.
The quickest gambling sequence of any James Bond movie in The World Is Not Enough (1999)…PS peek the cameo by producer Michael G. Wilson!
This is one of those frustrating James Bond movie chases where there are a hundred different scenarios where it could have been stopped or made less dangerous by some better decision making. For starters, why did the baddies here decide to use their mode of transportation as part of their strategy to kill Bond? Surely they knew, and would of course eventually find out, they had a death wish if anything disturbs the helicopter rotors.
And why doesn’t Bond and Wai Lin just stop? Get off the bike, disappear in the crowd?
Like all James Bond movies I see in the theater (save No Time To Die, of course), I walked out of my first viewing of Die Another Day amped up and declared it the best James Bond movie of all time. I was excited to see it again! And although DAD’s luster surely faded with subsequent viewings and definitely over the years compared to the other movies, as always, there are some bright spots in the movie. Gustav Graves’ introduction is one of them.
As Bond jets to the UK and is served a first-class vodka martini (by Roger Moore’s real-life daughter, FYI) and the Clash’s “London Calling” blares, we are thrust into the ostentatiousness that is the villain, Gustav Graves. Although the movie decays with subsequent revelations of his DNA-altered identity as Colonel Moon, poor acting by Halle Berry and many eyeroll moments, Graves’ intro scene feels like its from a different caliber Bond movie. His entrance (the Union Jack parachute an obvious nod to The Spy Who Loved Me (1977)) and cocky demeanor are spot on for a megalomaniacal Bond villain, and comes off as suave and in control, but definitely annoying and not self-aware. These days, I can’t help but see a bit of Elon Musk in Gustav Graves, unfortunately.
One of the, if not *the*, most out of place sounds/music in any James Bond movie has to go to the use of the song “California Girls” from the “snowboard” scene from the opening sequence of A View To A Kill (1985). Yes, I get that Bond eventually travels to California (and meets girls there I guess?) in the movie and he is technically snowboarding with the snowmobile blade (which is like “California surfing” I guess?), but I’m still going to give the song choice a thumbs down.
I may have approved if the song chosen was the original version by the Beach Boys, but a quick Google also shows this is a cover by Gidea Park, and it sounds like an average one at that. They should have scrapped the idea. How Bond maintains his feet on the blade and gains enough momentum to surprise the skiing bad guys was puzzling enough for the chase, let alone the song choice. It’s fun for sure, but not particularly great.
I was also unfortunately reminded of this scene after watching Pierce Brosnan’s Bond’s absurd snowboarding/gliding scene from Die Another Day (2002):
*shudders*
I may be biased since TND was the first James Bond movie I saw in theaters, but the remote control BMW scene is nothing but fun from start to finish. I distinctly remember smiling ear-to-ear just as Brosnan does at the end of the scene, and the theater’s collective ooh’s and aah’s as each new gadget appeared on screen. This was nothing short of action movie magic, and is a top-tier action scene in all of the James Bond movies. Who wouldn’t want to drive a car (BMW, nonetheless) remotely and look as cool as James Bond doing it?!
