“That’s putting it mildly, 007.”
– Desmond Llewelyn as Q in For Your Eyes Only (1981)
Craig’s 007 is down on his luck after the kind of weird chase scene from No Time To Die (2021). He’s picked up by…007…(Nomi) in yet another car that should be getting more screen time in the movie, similar to Paloma. Wow, great revving of that ridiculous Aston Martin engine on the tarmac, I guess. Couldn’t have had a chase where Bond is the passenger and another 00 agent flexes their skill? Missed opportunity…and I distinctly remember these words enter my head about certain characters and parts of NTTD where screen times or parts of the movie were too short or not emphasized enough. I’d definitely say it’s one of my biggest gripes about the movie aside from (of course) the atrocious ending.
Anyways, back in this scene, Nomi does her best Mayday (O_o) impression ([]-[]) with some weird-ass (probably expensive) uncomfortable-looking sunglasses. Their conversation is interesting though: aside from his stern yet poignant “Where have you been?,” it was a little odd to hear Bond mention Swann’s (and his!) daughter and not speak up that she’s actually his child. Is he not proud of Mathilde? Is he embarrassed? Or does he just want to focus on the mission? Same goes for in the plane. M doesn’t mention that “Dr. Swann and her daughter” is actually Bond’s daughter as well, aside from telling Bond he “hopes they’re there.” If he doesn’t know, why wouldn’t Bond mention it? And if Bond has told no one, how would MI6 know to “give” the Aston Martin DB5 (which is a whole other ball of blah) at the end of the movie? It’s another scene in NTTD where a mention of Mathilde throws off the movie and detracts from its overall plot and flow. Stupid kid.
Luckily in this scene, however, Bond mentions the elephant in the room that exists whenever these two are together – namely, who is actually 007 now that Bond is back?
At the end of the car dialogue, Bond seems okay with passing the torch (“Thank you, 007.”), but getting in the plane, I think Q is about to welcome Nomi on as 007 but hesitates as Bond has passes by. Maybe Nomi can sense Bond wants 007 back or just feels it’s the right thing to do? During the movie, I enjoyed the back-and-forth and debate between them and M, but overall at the end, this small plot point wasn’t really as appealing or worthwhile. Instead, I’d have preferred Bond’s code name put on-hold (or retired?) and awarded to him on his return. Nomi would have been a better 002 or 0010 (yes, why not double-oh ten? The numbers have to go past 9, right? Could’ve put that question to bed…)
At least he left a bottle of champagne for you, Q! 🙂
I mean…I don’t want to hype up the end of Spectre (2015) too much, but is there *really* a better end to a James Bond movie?
I just love everything about it – starting with a quiet, unassuming, empty downtown London – the shot of the flying, steadfast Union Jack after the madness of the toppling of Blofeld. Bond can take a deep breath.
What will he do next? Where will he go?
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“The right arm goes in the right sleeve, thus, and the left arm in the left sleeve, thus. Now…note closely please – pockets, poppers and zipper. Take the lower part of the zipper, and insert it into the appropriate…”
Oh, pull the tag!
This BAM! moment from Diamonds Are Forever (1971) always reminded me of the old onomatopoeia words from fights in the live-action Batman television show from the 1960s.
It doesn’t involve a fight with Sean Connery’s Bond, but only serves to convey Bond’s quick departure from his phone call with Q when Bond realizes he has to cover his tracks with a newly escaped Peter Franks. While Bond congratulates Q on his successful fingerprint scam gadget, it’s kind of neat to check out what’s going on in the background at Q Branch. It looks like one of the few instances where we see a Q Branch Bond car – in this case some sort of an Aston Martin – getting serviced (they’re installing its stinger missiles).
And it’s funny because in the next scene, Bond *does* fistfight Peter Franks ithat could get away with using some BAMs! POWs! or THWACKs! Oh well…
In For Your Eyes Only (1981), Bond and Q look up baddie Emile Locque’s information in Q Branch’s database and get a gist of his criminal history. Alongside that, they get poor grammar, some bizarre and unnecessary abbreviations and a misspelling (“biblography” – which I guess should be “bibliography” as it is spelled at the bottom, but Locque’s profile has nothing to do with books…).
I guess it can be chalked up to the primitive nature of computers at the time (1981), but the look on Q’s face right after they read the information may indicate that Q realizes it “hasn’t been perfected yet.” 🙂
The Q Branch scene from GoldenEye (1995) is one of my favorites of the series. It has it all: physical humor, great chemistry between Bond (Pierce Brosnan) and Q (Desmond Llewelyn), funny one-liners and quips and…the only time another movie’s theme is mentioned in a previous movie? Although it’s great, it does have its flaws.
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This all=time one-liner at the end of The Spy Who Loved Me (1977) gets me every time. As Bond (Roger Moore) and Triple X (Barbara Bach) are caught in the act in an escape pod, a stunned General Gogol (Triple X’s boss), M (Bond’s boss) and Sir Frederick Gray (Bond’s boss’s boss) can’t believe their eyes.
The exchange is legendary: “Bond!” “Tri-PULL X!” “Bond! What do you think you’re doing?” make the men sound more like disappointed parental figures rather than government intelligence. A speechless Q can only watch in awe, almost jaw-dropped.
And then 007 quickly quips a legendary James Bond line of lore. It ends with a celebratory-sounding chorus line version of the movie’s theme, declaring “nobody does it better” in a hilarious double entendre. HA! So awesome!
