It seems to me that in Thunderball (1965), whenever there’s little to no dialogue or when the iconic hazy, lazy elevator music plays, it’s always an enjoyable scene. That’s not to say that the music in question here is poor – I actually think it’s catchy and I get the melody stuck in my head after a viewing and get a bit drowsy the more I hum it to myself. I think it perfectly encapsulates the laid-back Caribbean setting of the movie, alongside its sinister villain. And this scene is a perfect example of that.
It starts out with Bond arriving at his hotel, where the receptionist (like most) is smitten – so much so that they show a second shot of her adoring face as Bond leaves! Bond skips his room and heads to Paula Caplan’s, where he checks his previously set up hollowed-out book recording device. The harpsichord (I think that’s the instrument at least…) part of this music gets me every time! Love it!
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