Whenever Baron Samedi (Geoffrey Holder) is onscreen in Live And Let Die (1973), you’re in for something wild.
In the case of the above scene, we get a glimpse into Samedi’s “musical extravaganza” live show, coincidentally at Bond’s (Roger Moore) hotel in San Monique. Surely Bond has no idea what he’s in for at such an establishment? Kananga’s influence and power over the island is obviously everywhere.
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An impromptu early morning visit by M at Bond’s home leads to a funny scene in Live And Let Die (1973). Moore’s first on-screen appearance as 007 doesn’t start out great. After bedding an Italian agent Miss Caruso at his place, he bumbles and fumbles as he tries to distract M (Bernard Lee) from running into the woman. Bond makes M some coffee, and knows his way around an espresso machine, much to M’s surprise and a test of his patience.
The personal visit by M is warranted, of course, as the murders of three MI6 agents (Baines, Dawes and Hamilton) make it an urgent matter. But who knew Bond could moonlight as a barista? And it’s pretty cool we get a glimpse into his personal home. Yes, it’s the 1970’s – and I still can’t get over the atrocious kitchen wallpaper, but Bond’s vintage orange sandwich maker on the counter looks pretty sweet!
Live and Let Die (1973) – Bond the Barista
Sheriff J.W. Pepper (Clifton James) returns in The Man With The Golden Gun (1974) for more comic relief after his first stint as the bumbling counterpart to Roger Moore’s James Bond in Live And Let Die (1973).
This time around, even a vacation in a foreign country won’t detract from his ego or sense of authority. The above short clip exemplifies this – an overzealous J.W. almost blows Bond’s element of surprise (or any remaining he had, at least) on the chase for Scaramanga. Bond’s disappointment is obvious, and his reaction one of Moore’s most animated.
Sheriff J.W. Pepper (Clifton James) in The Man With The Golden Gun (1974)
Ever wondered what the name of the song that Drax plays on his Steinway the first time he meets 007? It’s Frederic Chopin‘s “Prelude No. 15 (Raindrop)”.
Check out a full performance of the piece by world-reknown Chinese pianist Yi Lundi below:
“Commander, this tracing means that the Russians can track our nuclear submarines underwater and sink them.”
From The Spy Who Loved Me (1977)
Bond (Roger Moore) and Tibbett (Patrick Macnee) have a great rapport in A View To A Kill (1985), and it peaks in this scene. Just after arriving in their room at Zorin’s compound and setting up their recorded dialogue as cover for eavesdropping ears, the two make their way to the balcony where they focus on their mission of investigating Zorin more deeply. They playfully comment on the hilarious, charade relationship they’ve exhibited since they arrived, but then get down to business.
Bond trusts Tibbett’s play-by-play of the parties welcoming and arriving on the helicopter, and when an absolutely stunning Stacy Sutton (Tanya Roberts) arrives, focus quickly turns to her. Side note: the jazzy/mysterious 80’s music of this scene is great, and it’s some of my favorite from the movie. This is also by far the best look for Sutton in the movie, and she seems a bit star-struck herself when she meets Zorin (Christopher Walken) on the launchpad.
Bond cracks a joke to Tibbett that Sutton needs “closer inspection” after they silently acknowledge her good looks, and a more serious Tibbett can’t believe Bond would suggest such a thing: “We’re on a mission!” – to which Bond quips that any interaction between the two would be his own “sacrifice” for the mission – a win-win for Bond and her majesty’s secret service, no? I think their characters’ dynamic (although short-lived) is some of the best Moore’s Bond has with any other during his tenure as 007.
Scaramanaga’s third nipple in The Man With The Golden Gun (1974)
Bond’s (fake) third nipple in The Man With The Golden Gun (1974) to assume Scaramanga’s identity
Scaramanga couldn’t have had a distinctive beauty mark?!
MRW seeing the third nipples in The Man With The Golden Gun (1974)
Seriously!
In For Your Eyes Only (1981), Bond and Q look up baddie Emile Locque’s information in Q Branch’s database and get a gist of his criminal history. Alongside that, they get poor grammar, some bizarre and unnecessary abbreviations and a misspelling (“biblography” – which I guess should be “bibliography” as it is spelled at the bottom, but Locque’s profile has nothing to do with books…).
I guess it can be chalked up to the primitive nature of computers at the time (1981), but the look on Q’s face right after they read the information may indicate that Q realizes it “hasn’t been perfected yet.” 🙂
