This is a great 30 second summary of Live And Let Die (1973), from a short 30 second scene from itself – the scene where Bond (Roger Moore) and Solitaire (Jane Seymour) escape San Monique. Bond summarizes that the entire Kananga operation and voodoo mystique on the island was a front for heroin smuggling. I’ve always said that the simpler a Bond villain’s plot in any James Bond movie, the better.
Also, now that Solitaire has finally lost her “magic,” she is horny. Really horny.
Moore’s Bond at his most ruthless in For Your Eyes Only (1981).
This all=time one-liner at the end of The Spy Who Loved Me (1977) gets me every time. As Bond (Roger Moore) and Triple X (Barbara Bach) are caught in the act in an escape pod, a stunned General Gogol (Triple X’s boss), M (Bond’s boss) and Sir Frederick Gray (Bond’s boss’s boss) can’t believe their eyes.
The exchange is legendary: “Bond!” “Tri-PULL X!” “Bond! What do you think you’re doing?” make the men sound more like disappointed parental figures rather than government intelligence. A speechless Q can only watch in awe, almost jaw-dropped.
And then 007 quickly quips a legendary James Bond line of lore. It ends with a celebratory-sounding chorus line version of the movie’s theme, declaring “nobody does it better” in a hilarious double entendre. HA! So awesome!
At the start of For Your Eyes Only (1981), we see James Bond (Roger Moore) visit the grave of his late wife, Teresa Bond:
The inscription reads:
TERESA BOND
1943 – 1969
Beloved wife of
JAMES BONDWe have all the
time in the World
Although I like the fact that they finally acknowledged the death of Bond’s wife, it’s puzzling that it took a full 12 years (an entire six Bond movies) since On Her Majesty’s Secret Service (1969) when she was murdered, to do so. Surely such a traumatic death would have affected Bond greatly, and I’d say Diamonds Are Forever (1971) (the follow-up to OHMSS) is flawed at the outset for at least not referencing it while Bond traipse around Las Vegas.
Maybe they decided to put it on the backburner because it’s obviously a sad event, and nobody wants to be sad watching a James Bond movie (ahem, NTTD). Or maybe the death was such a big event in the series they decided to avoid acknowledging (or forgot?) it until a lot of time had passed…was this Bond’s first visit to the grave?
Kind of a missed opportunity in my eyes, regardless. They could’ve worked a graveside visit later into the movie (who wants to see Bond graveside visit in a movie’s opening sequence anyway? ahem, again, NTTD!) or weaved it into a joint revenge plot with Melina Havelock’s revenge of her parents’ death. All in all, I’m glad they made the reference to Tracy’s death but the method could’ve been better. And a pity it was rather forgotten after this scene until NTTD really.
This polarizing scene from Octopussy (1983) starts out lighthearted but ends with high tension as an undercover James Bond disguises himself as a circus clown to defuse a nuclear bomb. All in all, it is by far the dorkiest look of Roger Moore’s Bond, but looking past his costume and apparent masterful makeup artistry, I’m not sure there is a more defining “James Bond saves the world” scene in all of the movies.
Sure, Bond has defused many a bomb in his time, and even another nuclear one in Goldfinger (1964) albeit without a large audience like Bond has here. And yes, maybe they could’ve dressed Bond in something more flattering (a ringmaster with a top-hat, perhaps?), but the buildup for this scene and how an obstinate American general eventually tells everyone in the audience to shut up and let the absurdly dressed clown Bond defuse the bomb makes it all the more climactic. You can feel the tension! And I also think (to a degree) Bond’s look of desperation is made even more urgent because of his clownface makeup!
I won’t get over Bond’s look in this scene any time soon (and I wish at the end of the scene he would’ve just kept his red nose on for the full effect or took it off entirely, rather than having it hang awkwardly on his neck), but I also won’t let it take away from it significance amongst other times in the series when Bond heroically saves the world. Not many other scenes can top this one in that regard!
1. Roger Moore’s clown costume in Octopussy (1983) takes the cake…the ultimate dorkiest Bond moment!
