This BAM! moment from Diamonds Are Forever (1971) always reminded me of the old onomatopoeia words from fights in the live-action Batman television show from the 1960s.
It doesn’t involve a fight with Sean Connery’s Bond, but only serves to convey Bond’s quick departure from his phone call with Q when Bond realizes he has to cover his tracks with a newly escaped Peter Franks. While Bond congratulates Q on his successful fingerprint scam gadget, it’s kind of neat to check out what’s going on in the background at Q Branch. It looks like one of the few instances where we see a Q Branch Bond car – in this case some sort of an Aston Martin – getting serviced (they’re installing its stinger missiles).
And it’s funny because in the next scene, Bond *does* fistfight Peter Franks ithat could get away with using some BAMs! POWs! or THWACKs! Oh well…
Sean Connery as James Bond in You Only Live Twice (1967)
Focused on watching his back, no matter the circumstance – James Bond, 007 is a badass.
As Bond and Honey Ryder make their way to dinner in Dr. No’s lair in the first James Bond movie Dr. No (1961), you’ll notice 007 do a double-take on a particular piece of artwork before walking up some stairs:
The painting (Portrait of the Duke of Wellington by Francisco de Goya) was notable at the time of the movie as a pop culture reference, since in real life it was stolen. Bond’s look at the painting shows his surprise that Dr. No is the perpetrator.
It’s cool we get a sneak peek into Commander James Bond of the Royal Navy’s funeral in You Only Live Twice (1967). As a secret agent, however, it’s surprising to see his funeral well attended and “known” judging by the crowds and mystery man using binoculars to verify Bond’s body is “buried” at sea. But it makes sense after the start of the movie reveals that “our man in Hong Kong” was “killed” while on assignment investigating the stolen US spacecraft. Surely his actions and efforts prevented further escalations in the international incident, and maybe even the next world war.
Bond’s memorial is short-lived though. As the movie’s title suggests, he’s saved from his grave at sea and boards a British Navy vessel to get back on the job, now with better cover.
The Kevin McClory/EON dispute over the filming rights to the Thunderball storyline was eventually settled after a long legal battle and resulted in a rather bizarre resurgence of Sean Connery’s James Bond character in 1983’s Never Say Never Again (1983). Overall, I’d say the movie in average or below-average quality James Bond movie, but it also didn’t help that (for legal reasons) was missing standard aspects aspects of a Bond movie – most notably the gun barrel sequence and the classic James Bond theme. Putting aside comparisons of other parts of the Thunderball story, it’s fun but a bit bland overall.
Anyways, in the scene featured above set in a rehab clinic, a nosy Bond is suspicious of some peculiar activity he witnesses through a window. Another patient, Jack Petachi (Gavan O’Hurlihy), is in the midst of an eye scan procedure with the help of Fatima Blush (Barbara Carrera), and it piques Bond’s interest. Bond’s cover is blown, and although he attempts to hide, he’s eventually seen by Blush (a SPECTRE agent) as she scans the area with night vision goggles. It’s a pretty cool shot at the end and Blush memorably enunciates Bond’s agent number. This encounter eventually leads to the uncovering of a plot of stolen identity (explaining Petachi’s procedure attempting to replicate an iris pattern) and nuclear weapon robbery.
It’s obvious (and referenced) throughout the movie that Connery is an aged James Bond, but I’d say not any more so than his counterpart Roger Moore in his final movie < ahref="/avtak/">A View To A Kill just two years later in 1985. NSNA is cool for what it is, but nothing to write home about.
